A miniature slate birdstone. Well banded with a low slung head and no evidence of drilling. Ohio.   There are unsung heroes among us, people who devote their lives to collecting, cataloguing and organizing categories of things that most of us aren’t even aware exist.  Earl Townsend, Jr., who died in 2007, was such a man.  He spent much of his life compiling one of the finest collections in the United States of prehistoric stone relics of American Indians, including, at one time, more than 600 birdstones.

Townsend’s collection, which sold in December of 2011, was filled with these enigmatic objects.  Birdstones, like the one pictured above, are so called because they are all similar in their form, which resembles a bird.  Birdstones pop up occasionally, very occasionally, in the South, even less frequently west of the Mississippi, and the vast majority of them are found in the Ohio Valley and around the Great Lakes.  Ohio, Michigan, Wisconsin and New York have produced most of them.  Any stone could be used, but they are predominantly made from a banded slate.  The real mystery is their purpose and archaeologists have proposed a wide variety of theories from vague ceremonial usages to a function as a spear or atlatl weight to gender-related headdresses.  They clearly involved a great deal of work and effort and were a challenge to fashion, and as if this alone were not evidence of their value to the prehistoric societies in which they were made, they are/were often found in graves and burial mounds.  We may never have an answer to their larger purpose, but collections like this lay incredible foundations for the development of future work and theories.  Scholars of the future stand on the shoulders of people like Earl Townsend, Jr.

An American painted pine knife box with "trompe l'oeil decoration" circa 1830 and with red interior and central arched divider.The best antiques are ones that you can really live with and some of the very best are cutlery trays. These trays, designed to carry flatware from kitchen to table, look deceptively simple.  In reality, they are some of the most useful antiques objects out there!  Pick one up and put it on a side table for outgoing mail, keys and phones, or just put one beside the couch and see how rarely you have trouble finding your remotes.

You can have your pick too, because almost everyone would have had one of these nifty little carriers, so there are plenty out there to choose from.  Lidded examples made from more dramatic woods like tiger maple can bring over $1,000, and beautiful paint-decorated examples, like the one pictured above, command even higher prices.  (This one brought over $4,400!)  But, if you’re not looking for fancy paint and if you don’t mind a small repair or a little less age, you can find attractive trays that you don’t have to worry about using!  It’s easy to find a pretty piece for between $100 and $300, and you have an easy way to introduce antiques into your decor in a natural and useful way.  Be on the lookout for one the next time you’re out at the local antique mall or flea market.

Two American silver serving Spoons, Paul Revere, Jr. Boston, 1786.As the holidays approach this fall, chances are you may be hauling out some old silver for serving.  We see so much of this at appraisal events – family silver that has been carefully handled for generations, and people expect it to have value.  In reality, there are a number of classifications of silver, and while it certainly doesn’t change the sentimental value, it might have little enough monetary value to mean that you could be enjoying it every day rather than just a few days out of the year!

The earliest and generally most valuable types of silver are the three solid forms – Britannia (a temporary British silver standard from 1697 to 1720 which varied from the long-standing sterling standard and was 95.8% silver – in American silver, this would generally be silver made early enough to be based on the British standard and before it was determined to be much too soft for durable use), sterling (92.5% silver), and coin (can be as little as 75%, but can also contain more silver than sterling).  Then, around 1743, Sheffield plate was introduced.  Early Sheffield plate, while not solid silver, contains significant quantities of silver, as it was constructed by fusing a sheet of silver to a sheet of copper which was then used to make the object.  (This Sheffield-plate hot water urn, if you look closely, has wear spots where the underlying copper is visible.)  These are the pieces, especially ones made in America, that can command the strongest prices, like the two Paul Revere coin silver spoons (pictured above) that brought almost $105,000.

Over time, the thickness of the silver used became thinner, but the distinction is that early Sheffield is made from a silver plate, while later versions of plating involve making the object in another metal and then plating it.  What is often called later Sheffield is really from the early days of electroplating, after the first English patents were granted in 1840 (although it’s worth noting that plating techniques were successfully experimented with in ancient societies).  From there, it’s a relatively short slide to modern silver-plate.  Electroplating is a process of applying a layer of silver to an inexpensive base metal, usually nickel silver, which isn’t really silver, but a mixture of copper, nickel and zinc, or, more commonly today, stainless steel.  Silver-plate thickness, measured in microns, varies – from just 3 microns to 35 microns or more, and over a person’s lifetime, depending on thickness and usage, the plate layer will begin to wear away.  (A micron is equivalent to 0.001 millimeter, so we’re talking really thin layers!)  Because of the extremely low level of silver content, most silver-plate has little monetary value, even pieces that are “triple-plated,” unless it’s older or of a more elaborate or large-scale form.

Sound complicated?  It can be.  Decorative pieces are still occasionally made on the Britannia standard.  Silver prices fluctuate as the prices for silver bullion, which have historically been very volatile, rise and fall.  Early solid silver forms have often been repaired or adapted to suit the changing fashions (like this tankard, made in the mid-18th century, that had the repousse pattern added, quite likely as late as the 20th century), while early Sheffield and electroplated pieces have often been re-plated, but the good thing is that silver is almost always clearly marked, which can help sort things out.  Bottom line: if you’ve got some silver socked away, get a sense of what it is, because if it’s not got great monetary value, you can celebrate its sentimental value every day!

A chromolithographed Buffalo Bill's Wild West poster, a vertical half sheet showing mounted group of "Mexican Ruralies and Vacqueros in Surprising and Seemingly Impossible Feats of Rope Spinning and Lasso Throwing" printed along bottom and "Buffalo Bill's Wild West and Congress of Rough Riders of the World" in upper rightAirports, coffee shops, and strip malls are everywhere today, even in Dodge City.  These days the Wild West is definitely not so wild.  It’s hard to imagine how it must have appeared even a century ago, but part of that is because as a culture, we’ve spent most of that time re-imagining it, repackaging it to shape our version of the American past.  The American West was, undeniably, a rough place at one time, but stagecoach robberies, bloody gunfights and Indian scouts riding in stampeding herds of buffalo were not the norm.  Mostly, it was, in many ways, like a remote life back in New England – minimal daily comforts, grinding work, limited access to society and commercial goods.

Our version of the American West is due in large part to the phenomenon of the Wild West Show.  The first and undoubtedly most famous of these shows was Buffalo Bill Cody’s show, formed in 1883 and in operation until 1913.  Cody’s vaudeville show included some of the most legendary figures of the era: Annie Oakley, Wild Bill Hickok, Sitting Bull, Will Rogers, and even future president Theodore Roosevelt!  Coinciding with more affordable printing and photography, Cody’s shows are very well documented.  Modern collectors vie for cabinet card and silver gelatin photographs, show programs and posters (like the one pictured above) and advertising-related objects like trade signs and saddle soap containers.

Cody’s Wild West show traveled all over the United States, even performing in connection with the Chicago World’s Fair in 1893.  The troop even made the trip to England in 1887, transporting 200+ riders, nearly 100 American Indians, and a menagerie of animals that included nearly 200 horses as well as buffalo, elk and longhorn steers.  (I was disappointed to find out that they didn’t all travel on a single ship – that would have been some voyage!)

Wild west shows began to wane in popularity near the end of the 19th century.  As Frederick Turner, perhaps the first true scholar of the American West, announced in 1893, “The frontier is gone.”  Vaudeville in general began to suffer as moving pictures began to develop, and rail travel became easier and more affordable, allowing people to see the West for themselves.  Still, the iconic and mythical image of the American frontier created by these shows is known around the world and has become an indelible part of the story Americans tell themselves about their past, guaranteeing it a place in collections of every generation.

Carved Noah's Ark painted blue with dove on roof with approximately 200 animals and figures.Just about any day now the fall rains are going to start.  Of course, it’s only going to seem like it’s rained forty days and forty nights, but when I’m lying awake at night wondering how much more water the septic system can withstand, I can think about Noah and his orderly pairs of animals.  Which usually makes my thoughts wonder off, because have you ever noticed that all the depictions include exotic animals and farmyard critters, but no cats?  That’s because Noah was probably unable to get the cooperation of cats, if any of his cats were like mine….

Anyway, arks are actually highly collectible, probably because they have crossover appeal, since they find favor among collectors of folk art, toys, and miniatures.  This helps support prices, and it doesn’t hurt that there are so many to choose from.  There are store-bought versions on a relatively small scale, like this one, and then there are early German-manufactured examples, like this one that has compartments for all the animals and measures nearly 3′ high!  In terms of sale prices, though, it’s all about folky craftsmanship and numbers – the one pictured above, complete with approximately 200 animal and human figures, sold for more than $28,000!

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