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Two American silver serving Spoons, Paul Revere, Jr. Boston, 1786.As the holidays approach this fall, chances are you may be hauling out some old silver for serving.  We see so much of this at appraisal events – family silver that has been carefully handled for generations, and people expect it to have value.  In reality, there are a number of classifications of silver, and while it certainly doesn’t change the sentimental value, it might have little enough monetary value to mean that you could be enjoying it every day rather than just a few days out of the year!

The earliest and generally most valuable types of silver are the three solid forms – Britannia (a temporary British silver standard from 1697 to 1720 which varied from the long-standing sterling standard and was 95.8% silver – in American silver, this would generally be silver made early enough to be based on the British standard and before it was determined to be much too soft for durable use), sterling (92.5% silver), and coin (can be as little as 75%, but can also contain more silver than sterling).  Then, around 1743, Sheffield plate was introduced.  Early Sheffield plate, while not solid silver, contains significant quantities of silver, as it was constructed by fusing a sheet of silver to a sheet of copper which was then used to make the object.  (This Sheffield-plate hot water urn, if you look closely, has wear spots where the underlying copper is visible.)  These are the pieces, especially ones made in America, that can command the strongest prices, like the two Paul Revere coin silver spoons (pictured above) that brought almost $105,000.

Over time, the thickness of the silver used became thinner, but the distinction is that early Sheffield is made from a silver plate, while later versions of plating involve making the object in another metal and then plating it.  What is often called later Sheffield is really from the early days of electroplating, after the first English patents were granted in 1840 (although it’s worth noting that plating techniques were successfully experimented with in ancient societies).  From there, it’s a relatively short slide to modern silver-plate.  Electroplating is a process of applying a layer of silver to an inexpensive base metal, usually nickel silver, which isn’t really silver, but a mixture of copper, nickel and zinc, or, more commonly today, stainless steel.  Silver-plate thickness, measured in microns, varies – from just 3 microns to 35 microns or more, and over a person’s lifetime, depending on thickness and usage, the plate layer will begin to wear away.  (A micron is equivalent to 0.001 millimeter, so we’re talking really thin layers!)  Because of the extremely low level of silver content, most silver-plate has little monetary value, even pieces that are “triple-plated,” unless it’s older or of a more elaborate or large-scale form.

Sound complicated?  It can be.  Decorative pieces are still occasionally made on the Britannia standard.  Silver prices fluctuate as the prices for silver bullion, which have historically been very volatile, rise and fall.  Early solid silver forms have often been repaired or adapted to suit the changing fashions (like this tankard, made in the mid-18th century, that had the repousse pattern added, quite likely as late as the 20th century), while early Sheffield and electroplated pieces have often been re-plated, but the good thing is that silver is almost always clearly marked, which can help sort things out.  Bottom line: if you’ve got some silver socked away, get a sense of what it is, because if it’s not got great monetary value, you can celebrate its sentimental value every day!

A chromolithographed Buffalo Bill's Wild West poster, a vertical half sheet showing mounted group of "Mexican Ruralies and Vacqueros in Surprising and Seemingly Impossible Feats of Rope Spinning and Lasso Throwing" printed along bottom and "Buffalo Bill's Wild West and Congress of Rough Riders of the World" in upper rightAirports, coffee shops, and strip malls are everywhere today, even in Dodge City.  These days the Wild West is definitely not so wild.  It’s hard to imagine how it must have appeared even a century ago, but part of that is because as a culture, we’ve spent most of that time re-imagining it, repackaging it to shape our version of the American past.  The American West was, undeniably, a rough place at one time, but stagecoach robberies, bloody gunfights and Indian scouts riding in stampeding herds of buffalo were not the norm.  Mostly, it was, in many ways, like a remote life back in New England – minimal daily comforts, grinding work, limited access to society and commercial goods.

Our version of the American West is due in large part to the phenomenon of the Wild West Show.  The first and undoubtedly most famous of these shows was Buffalo Bill Cody’s show, formed in 1883 and in operation until 1913.  Cody’s vaudeville show included some of the most legendary figures of the era: Annie Oakley, Wild Bill Hickok, Sitting Bull, Will Rogers, and even future president Theodore Roosevelt!  Coinciding with more affordable printing and photography, Cody’s shows are very well documented.  Modern collectors vie for cabinet card and silver gelatin photographs, show programs and posters (like the one pictured above) and advertising-related objects like trade signs and saddle soap containers.

Cody’s Wild West show traveled all over the United States, even performing in connection with the Chicago World’s Fair in 1893.  The troop even made the trip to England in 1887, transporting 200+ riders, nearly 100 American Indians, and a menagerie of animals that included nearly 200 horses as well as buffalo, elk and longhorn steers.  (I was disappointed to find out that they didn’t all travel on a single ship – that would have been some voyage!)

Wild west shows began to wane in popularity near the end of the 19th century.  As Frederick Turner, perhaps the first true scholar of the American West, announced in 1893, “The frontier is gone.”  Vaudeville in general began to suffer as moving pictures began to develop, and rail travel became easier and more affordable, allowing people to see the West for themselves.  Still, the iconic and mythical image of the American frontier created by these shows is known around the world and has become an indelible part of the story Americans tell themselves about their past, guaranteeing it a place in collections of every generation.

Carved Noah's Ark painted blue with dove on roof with approximately 200 animals and figures.Just about any day now the fall rains are going to start.  Of course, it’s only going to seem like it’s rained forty days and forty nights, but when I’m lying awake at night wondering how much more water the septic system can withstand, I can think about Noah and his orderly pairs of animals.  Which usually makes my thoughts wonder off, because have you ever noticed that all the depictions include exotic animals and farmyard critters, but no cats?  That’s because Noah was probably unable to get the cooperation of cats, if any of his cats were like mine….

Anyway, arks are actually highly collectible, probably because they have crossover appeal, since they find favor among collectors of folk art, toys, and miniatures.  This helps support prices, and it doesn’t hurt that there are so many to choose from.  There are store-bought versions on a relatively small scale, like this one, and then there are early German-manufactured examples, like this one that has compartments for all the animals and measures nearly 3′ high!  In terms of sale prices, though, it’s all about folky craftsmanship and numbers – the one pictured above, complete with approximately 200 animal and human figures, sold for more than $28,000!

An Egyptian mummified bird, circa 1500 B.C., wrapped in layers of linen.214 years ago this summer during Napoleon’s Egyptian campaign, Capt. Pierre-Francois Bouchard discovered the Rosetta Stone, sparking more than two centuries of fascination with the art and artifacts of ancient Egypt.  The style of Egypt appeared in several stylistic revival periods, with some objects incorporating overt design elements, like this clock garniture set with sphinxes and obelisks, while pieces like this daybed rely on more subtle Egyptian-influenced lines.

But the fascination didn’t stop with replicas, and artifacts continued to flow out of Egypt, largely unchecked through the early twentieth century.  While there are plenty of other antiquities in the database, it’s clear that you could easily reassemble a tomb with the material you’ll find.  We have everything from a sarcophagus to canopic jars (the jars used to hold the internal organs of the mummified) to painted cartonnage remnants (read about cartonnage in our reference note here) to the treasures that one might have chosen to be buried with.  You’ll find pottery ring seals, bronze figures, and, my personal favorite, a mummified bird (pictured above), complete with x-ray images to verify its authenticity!Sadly, because of the large number of fakes (and, perhaps, illegally obtained objects), provenance is key with these items.  When it comes to selling Egyptian artifacts at auction, the ones that do best are most often those from dealers with strong, knowledgeable reputations and with long histories of ownership to verify their origins, so beware of objects with little more than a “good word” and a letter of authenticity from an unrelated third party!

A Hopi polychrome bowl by Nampeyo, first quarter 20th century, Sikyatki-style bird in centerIf you’re looking for a beautiful, graphic collection, you can’t do better than American Indian pottery.  It’s hard to make generalizations about these pots, because pottery developed among different tribes in different ways.  Archaeology teaches us though that almost all farming cultures turned to potting at some point, a fact that holds true among American Indian tribes, but as many Native American tribes were pushed westward, farming ceased to be a viable lifestyle for them and their pottery-making often decreased dramatically or ceased completely as they turned to nomadic lifestyles.

It makes sense, then, that pottery traditions among the farming cultures of the Southwest have come closest to surviving intact, and the pottery industry blossomed with the tourist boom that started in the early 1900s.  Thousands of pots have been made and carried home by visitors, many from well-known pottery families like the Nampeyo and Martinez families, so there are plenty out there to choose from!  You can find modest pots with broad decoration for less than $100 (even signed pieces like this one), modern pots with dramatic decoration (like this one, also signed) for less than $300, and beautiful pieces from the early days of the tourist trade by prestigious families, like the $10,000 bowl pictured above from the Nampeyo family.  Personally, though, I find it hard to pass up Zuni pots with applied pottery frogs!

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