Uncategorized

You are currently browsing the archive for the Uncategorized category.

Uncle Sam World War I recruiting poster by James Montgomery FlaggFor the Fourth of July, Uncle Sam puts in an appearance right along with parades and fireworks.  There was a time when he was far more ubiquitous, and many people are unaware of his remarkable journey from government contractor to American icon!  When the U.S. was entrenched in the War of 1812, Samuel Wilson, a small-town meat-packing magnate from Troy, New York, obtained a government contract to supply troops in the northern parts of the country.  Barrels of salt beef marked “U.S.” were shipped to the troops, who began to joke that the initials really stood for “Uncle Sam.”  Of course, many military-issued supplies were marked in this manner, and before long, soldiers were joking about getting presents from Uncle Sam when each shipment arrived.Uncle Sam may have gotten his name in 1812, but it took forty years for someone to bring him to life in an illustration; this illustration must have captured the imagination of thousands of Americans, as Sam soon began to appear everywhere!  Folk artists were among the first to pick up Uncle Sam’s image, but the familiar bearded visage has also been used to market everything from tobacco to candy (whilst inexplicably riding a rabbit) to paint.  My personal favorite is this cutout of Uncle Sam, who seems to have abandoned his coat and tails in order to shill for OshKosh overalls.

Fortunately, he was dressed up again and at his gravest by the time he “posed” for his iconic 1917 World War I poster depiction (pictured above) by artist James Montgomery Flagg.(For more on Flagg, click here to read our reference note.)

Ferrotype photograph images of Civil War Union Generals Meade, Rosecrans, and Sherman set in tagua nut braceletOne of the things I love about this job is that I never know what it will involve next.  Sure, much of the time I tend to putter along in my own little world, dealing with historical ephemera and documents, 19th-century photography, and American stoneware, but smack in the middle of a group of photographs, I find myself unexpectedly staring a botany lesson in the eye.  Even the simplest of questions can drift off into uncharted waters.  You never know where what seems like a small voyage will take you.  (Of course, I had my share of questions that were akin to the Minnow‘s “three-hour tour,” too, but those are other stories….)

This happened last month when I was working on a sale of photographic material.  In the midst of fairly normal albumens and daguerreotypes was the odd little bracelet pictured above – a bracelet with three tintype images of Civil War generals (all Union – Meade, Rosecrans, and Sherman) strung with blue glass beads and set “in tagua nut.”  Because I can never just leave well enough alone, I went off to find out just what tagua nuts are.  Turns out, tagua nuts are the endosperm of a genus of South American palm trees, and for small little things that grow thousands of miles away, they actually appear fairly often in American material culture, for the simple fact that they resemble elephant ivory, both in appearance and in their ability to be carved into durable useful objects.  Elephant ivory has been long been fashionably ambiguous, either because it’s difficult or expensive to procure or just ethically distasteful.  Tagua nuts solved that problem and show up in a number of places that one would also find ivory, including cane handles and clothing buttons.  “Nutty,” but true!

When I’m out digging around in the dirt in the spring, I always think of all the searching I used to do for fossils when I was small. Of course, most of what I found were just fragments of seashells and fern fronds, but there are some really interesting things lying around in muddy creek beds and freshly plowed fields – and in our database!

Check out our natural history category, and you’ll find a number of “basic” fossils like sections of petrified wood and clamshell fossils. One of my favorite things (also very affordable) is the fossil of the little frog pictured above – he’s over 20 million years old! You’ll also find fossil fish, creatures in amber, and dinosaur toes. Of course if you have a little more room for a collection (or a little more money), you might think about a mastodon skull – this one is only 42 feet long. The sabre-toothed cat skeleton is a more compact 43 inches, if you’re looking to save space….

Aside from digital photography, there likely has been no greater innovation to the antiques marketplace in the 21st century than the online auction.  In its relatively short life, just over ten years, the online auction has gone from being a novelty to being absolutely essential to the trade in antiques, art, and collectibles.

Most everyone is well acquainted with eBay, the personal auction site that has, since the mid-1990s, allowed individuals to buy and sell everything from weathervanes to Pez dispensers to vintage Indian motorcycles.  However, in what now seems a distant memory, eBay was the driving force in bringing the online auction to the traditional antiques trade.  Between 2002 and 2008, eBay, at first partnering directly with brick-and-mortar auction houses, and then later utilizing intermediaries Live Auctioneers and ArtFact, brought millions of lots to a global bidding platform.  It no longer mattered whether you  were in Massachusetts, Ohio, Wyoming, or even London or Tokyo, you could bid on, and buy, items being sold at auction houses around the world.

When, in 2008, eBay announced that it would be closing its virtual saleroom to traditional live auctions, the marketplace nearly panicked.  Smaller and regional auction houses had grown substantially based the reach that eBay provided them.  The panic quickly subsided, however, when Live Auctioneers and ArtFact assured both buyers and sellers that they could step in and provide a bidding platform that would rival that of eBay.  By mid-2009, the marketplace had relaxed—both companies had built virtual salerooms and most auction houses saw very little reduction in their internet bidding.

Online bidding has become such a mainstay in the antiques marketplace, and in fact, such a critical aspect of it, that more recently, many traditional auction houses have abandoned their physical saleroom, in whole or in part, and now hold “online only” auctions.  Additionally, new auction companies have formed that exist solely in the virtual world.

There are two primary types of online auctions: a traditional “live” auction with real-time bidding, and a timed-bidding auction when bidding is scheduled to end at a specific time.  In a live online auction, internet bidding is typically one component of the auction (which generally includes a saleroom full of bidders, and others bidding via absentee and telephone bids), though some auction houses are holding auctions that function like traditional live auctions, but internet bidding is the only method of participating.  In this type of live auction, the internet bidder, most often working through ArtFact or LiveAuctioneers, can leave absentee bids online or bid during the auction by clicking on a “Bid” button during the sale of each lot.  Here, a member of the auction house staff is stationed in the saleroom, relaying bids from the internet to the auctioneer, who opens and closes each lot in the traditional manner.

Most frequently, auction houses wishing to hold online auctions, choose the timed-bidding format.  In these auctions, bidding is open for a set period of time, typically a week or more, and then bidding closes at a set time.  In most cases, either individual lots or groups of lots, end at predetermined times, usually a few minutes apart.  For example, lots 1-10 may close at 8:00 pm, with lots 11-20 closing at 8:05, lots 21-30 at 8:10, etc., until all the lots are closed.  With pre-determined ending times, much like on eBay, bidders will be competing with “snipers.”  Snipers are those who attempt to get their bid placed in the final few seconds of the auction, thereby preventing anyone else from outbidding them.  To counter this, many timed-bidding auctions employ a system where a bid placed in the final moments keeps the lot open until a set period of time (sometimes thirty seconds, a minute, or five minutes) has elapsed with no bids.  In timed-bidding auctions, the opening and closing of lots is done entirely by the computer software—no human auctioneer is required.

Whether sitting at home in front of the television with a laptop, or sitting under a tree in a park with a smartphone, ever-advancing technology is making bidding at auction easier than ever.  The internet has  profoundly changed the antiques and art marketplace, and although it is unlikely that traditional live auctions will ever disappear, online auctions will likely become the preferred method to sell more and more categories of antiques.

Prices4Antiques.com has always covered live auctions with an online component—it’s hard to find auction that aren’t online these days—and as online only auctions are becoming an increasingly important segment of the auction marketplace, Prices4Antiques.com will cover many of those too.

Some auction houses have utilized the online only format to expand their auctions of some categories (American Indian art, militaria, historical ephemera) to include lower-valued examples.  Other auction houses often use the online only format to expand their offerings into new categories (movie posters, antique stock certificates, sports memorabilia).  In either case, these auctions allow Prices4Antiques.com a great opportunity to add both more breadth and depth to the database.

We’re so excited about the third Midwest Antiques Forum, to be held in Cincinnati, Ohio, April 26-28, 2013! We have a great lineup of speakers, talking about everything from archaeology and yellow ware to the Lincoln home and the War of 1812. And, in addition to a great slate of speakers, we also have some great “extras” this year, including a reception at Main Auction Galleries with auctioneer Jay Karp and a tour of the Taft Museum’s exhibit, Local Exposures: Daguerrotypes from Cincinnati Collectors, with Wes Cowan, who has such knowledge and enthusiasm for early photography. And, if you’re interested, extend your trip and enjoy springtime with the additional optional trip to Georgetown and Ripley, Ohio and Maysville, Kentucky. Check out the details of the schedule at www.midwestantiquesforum.com and make plans to see us in Cincinnati. Spring will be here before you know it!

Also, if you’re an appraiser, remember that we’re offering continuing education credits to members of ISA, ASA, and AAA. It will be a great time to connect and learn along with your colleagues.

If you’ve got questions send an e-mail to info@midwestantiquesforum.com or give us a call at the Prices4Antiques office at 937.426.7573. Can’t wait to have so many wonderful scholars in the same room discussing Midwestern decorative arts, so please make sure you join us!

Newer entries »