Miscellaneous Antiques

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Scimitar Horned Oryx, shoulder mount, Africa

Scimitar Horned Oryx, shoulder mount, Africa

It’s a lovely time of year and I’d like to be able to enjoy the eight enormous windows in this house, but instead, I’m keeping my head down because during this lovely time of year, the woods (and my head) start to ring with gunfire. I’m sure everyone out there is positive that there’s a trophy buck just around the next tree, but honestly, I just want to shout out the window, “Go to an auction!” When you think about it, a trip to an auction offers a number of advantages – no risk of frostbite, a more comfortable seat, usually plenty of snacks available – and while it may not exactly be cheaper than ammunition, you can have the guarantee of a great trophy!

And why restrain yourself? For $500 to $1,000, you can have a respectable 10-point white-tail deer for your wall, but for the same amount of money, you could have a black bear rug, a wildebeest or even an scimitar-horned oryx (pictured above)! It’s possible to turn one’s home in a veritable natural history museum (or divest yourself of someone else’s collection), but there are some complexities to keep in mind. Taxidermy seems straightforward enough, but there are a large number of intricate laws involved from the hunting to the preparation to the selling and transporting. Federal permits (and occasionally additional state permits) are required to handle certain kinds of taxidermy, meaning that cleaning out Uncle Joe’s den can be more complicated than it might initially seem. For instance, some species, like foxes or coyotes, might require a permit for selling fur, and some states outright prohibit the sale or possession of certain animals, like mountain lions. And paperwork is crucial, because with any endangered species, it’s necessary to prove that they were killed before the date they were added to the endangered species list.

Then there are birds, which present a whole other set of concerns! You have laws governing migratory birds, state laws that protect individual species such as the state bird, federal laws that address birds of prey and American Indian ceremonial use of certain feathers, etc., etc., etc. (For example, possessing any part of a golden eagle can carry fines in excess of $10,000 and the potential for jail time. Doesn’t seem like much of a threat until you realize that you may not know exactly what feathers adorn the head of a Hopi katsina!) In the Victorian era, birds were often assembled in a naturalistic display in glass cases, and these seemingly simple specimens have become very complicated because the sale of the entire case can be affected by the presence of one bird deemed illegal for sale.

The majority of specimens aren’t a problem, because they’re commonplace creatures like white-tailed deer, but with more unusual creatures come more unusual problems. Because the laws are so complex and because there are laws at both the federal and state levels, it’s often best to make sure you talk with an expert. Consulting your local chapter of your state’s wildlife resources management office is a good place to start, as is an experienced and well-informed taxidermist. Such sales take place on a regular basis, so it’s just a matter of educating yourself!

-Hollie Davis, Senior Editor, p4A.com

To search the Prices4Antiques antiques reference database for valuation information on hundreds of thousands of antiques and fine art visit our homepage www.prices4antiques.com

Redware jar, scroddled, with copper glaze

Redware jar, scroddled, with copper glaze

We churn out reference notes on a variety of topics every month.  There’s no telling what we’ll cover next.  This month, we’ve done articles on Central American textiles, a Victorian engraver, a modern furniture designer, and an African-American daguerreotypist.  These reference notes are one of things that sets p4A apart from other databases and pricing resources, and we work hard to keep them coming.  They’re often the product of a great deal of collaboration and are a real attempt to sort out what is all to often several centuries of ambiguity and confusion!

This month, I’ve been attempting to sort out the meaning of the word “scroddle.”  That seems simple enough, doesn’t it?  It’s a word, so you just go to the dictionary.  But most dictionaries didn’t turn up anything and those that did offered only a vague definition like, “mottled pottery made from scraps of differently colored clays,” which would certainly describe the little jar pictured above.  (Just fyi, the Urban Dictionary doesn’t have a “definition” at all – go make one up!)  But, I thought, scroddle sounds like an OED word if there ever was one!  But, according to the helpful young woman at the local library reference desk, nope, not even there!

So, as a last resort, I decided to consult the modern version of the tribal counsel – Facebook.  I have a good friend who is a potter and a material culture historian, so I thought I’d just leave a post on her wall and see what she thought.  Before long, I had the entire pottery community chiming in, including a former editor of Ceramics in America and assistant curator at Colonial Williamsburg.  We got opinions on the origin of the word, why and how the meaning may have changed over time, and a collection of alternate spellings.  I’ve been working on sorting so many “mights” and “maybes” into a reference note, but this sort of wide-ranging collaboration and research is really what makes the database special and what makes our reference notes worth reading.  The next time you’re doing a search and you see a linked term in an item record, take a minute to click through – you might be surprised at all you learn!

Click here to read our reference note on “scroddle”.

-Hollie Davis, Senior Editor, p4A.com

To search the Prices4Antiques antiques reference database for valuation information on hundreds of thousands of antiques and fine art visit our homepage www.prices4antiques.com

The following item was recently sold at an American auction house. Detailed information about this item, including pre-sale estimate, price realized and sale location can be found in the Prices4Antiques reference database.

Double singing bird automaton by Bontems, France, no. 5414125

Double singing bird automaton by Bontems, France, no. 5414125

Sheraton two-drawer stand, probably from Fairfield County, Ohio, 1820 to 1840

Sheraton two-drawer stand, probably from Fairfield County, Ohio, 1820 to 1840

The iconic images of the Midwest – the ever-moving pioneer, the isolated communities, the Mississippi River and all its tributaries – are the exact things that make Midwestern decorative arts such a challenge to study!  With people always on the move and goods shifting up and down river communities and influencing tastes, finding enough “diagnostic features” to create an identified pool of objects and to make firm attributions is a challenge in many areas.  These factors make the research being done in Fairfield County, Ohio all the more fascinating and important, because the findings there illuminate not only Lancaster, Ohio and the surrounding countryside, but also help shed a little light on many of the long-held ideas about the American Midwest.

On the Fairfield County, Ohio Decorative Arts website (http://www.fairfielddecarts.com), Deward Watts, a local independent researcher and collector, is piecing together his accumulated knowledge from years of ferreting out objects, tracking down genealogy, and sorting out local history.  Focused on the craftsmen and artisans of the area and the objects they created prior to 1850, the site is organized into six categories: clock makers, furniture makers, gunsmiths, silversmiths, and weavers.  Watts acknowledges that the lists are undoubtedly incomplete, but they include all those he’s uncovered in more than a decade of research and, whenever possible, objects from the makers are shown with the details of their personal histories that have been gleaned from newspapers and public records.  What the site hopes to do is draw attention to the region’s decorative arts, to create a database of objects attributed to the region, and to hopefully allow others to use the resource to identify other Fairfield County objects.

Ohio jacquard coverlet. George Heilbronn, Lancaster, Fairfield County, 1852

Ohio jacquard coverlet. George Heilbronn, Lancaster, Fairfield County, 1852

The Prices4Antiques database includes a number of examples of the objects attributed to Fairfield County, Ohio, and quite likely, an even greater number of objects from Fairfield County for which no attribution has yet been made.  And, through our sponsorship of the Midwest Antiques Forum, this sort of focused, independent research is exactly what we hope to encourage.  Much of the area of Midwestern decorative arts remains a puzzle, but the work Watts and others are so passionately devoted to doing is certainly helping to put more pieces on the table!

-Hollie Davis, Senior Editor, p4A.com

Nembhard N. Culin poster for the 1939 New York World's Fair

Nembhard N. Culin poster for the 1939 New York World's Fair

Building the World of Tomorrow at the New York Fair – A History of  New York’s 1939 Fair, the Trylon & Perisphere, and the astonishing array of  World’s Fair collectibles

War in Europe and the Depression at home didn’t stop New York city fathers from hosting their first full scale World’s Fair. Many saw it as a way to generate income through tourism as with Chicago’s 1933-34 Century of Progress.  The N.Y. Fair, while not a commercial success generated the iconic Trylon & Perisphere and hundreds if not thousands of collectible souvenirs.

1939-40 N.Y. World’s Fair History

In 1935, New York’s city leaders began talking about the possibility of a New York fair for 1939.  This year was an appropriate choice, as it was the 150th anniversary of the inauguration of George Washington at Federal Hall in New York City.  Some leaned towards a historically oriented fair, but ultimately, using Chicago’s Century of Progress as a model, the ’39 fair was themed “Building the World of Tomorrow.”   The design board included  visionaries of modernism  Norman Bel Geddes, Raymond Loewy, Henry Dreyfuss, and Walter Dorwin Teague.  The architecture of the fair continued the use of the streamlined art deco forms that had dominated the Chicago fair five years earlier.

New York Fair in Flushing Meadows

Robert Moses, the commissioner of city parks, sold the board on his choice of site.  Flushing Meadows, 1,216 acres of marshy wasteland the city used as a dump, was referred to in F. Scott Fitzgerald’s The Great Gatsby as “. . . as valley of ashes. . bound on one side by a small, foul river.”  Moses hoped that the reclaimed land would become the future home of Flushing Meadows Park when the fair was over. Unfortunately for the New York, the 45 million attendees spent considerably less than the $67 million the fair had cost.

Trylon & Perisphere and International Exhibits

The Trylon, a 610 foot tower, and the 180 foot diameter Perisphere became the signature structures of the fair, and may be the most recognizable of all World’s Fair icons.  The empty Trylon was connected via a spiral walkway called the Helicline to the Perisphere, which housed an exhibit called Democracity.

Considering the state of affairs in Europe, a surprisingly large number of nations participated in the 1939 fair. A total of 60 countries and international organizations had a presence in Flushing Meadows.  Conspicuous by its absence was Germany-Adolf Hitler had been offended by detrimental comments made by the Mayor of New York, and was saving his time and money for less wholesome endeavors, as the world would soon see.

Set of 1939 New York World's Fair Canada Dry soda glasses in the original box

Set of 1939 New York World's Fair Canada Dry soda glasses in the original box

1939-1940 World’s Fair Souvenirs

World’s Fairs were tourist destinations, and as such, today’s collectors can choose from a broad range of destination type souvenirs as well as brochures, train schedules, and memorabilia having to do with daily operations of the fair.

For the New York World’s Fair of 1939-1940, souvenirs included ashtrays, coasters, place mats, snow globes, pillow covers, teapots, vases, soda glasses, plates, silver spoons, trays, jigsaw puzzles, salt & peppers, pen knives, thermometers, jewelry boxes, dolls, compacts, match safes, tumblers, tea cups, letter openers, tie clips, and more.  Manufacturers offered their own commemoratives as well, among them Heinz who distributed pickle pins, Planter’s Peanuts producing pin back buttons and special tins, and Kodak offering a special edition camera.  A large majority of these give-aways feature the likeness of the Trylon and Perisphere such as this still bank.

Today’s Prices for 1939-40 World’s Fair Collectibles

Prices are reasonable for almost every kind of fair collectible.  Postcards range from $1-2 each.  A set of five plastic coasters might cost $15-20, and teapots sell for anywhere between $50-80.  A snow globe recently sold on eBay for $58, and a Trylon & Perisphere thermometer in Bakelite brought $35.

-Article by p4A contributing editor Susan Cramer.

Reference & Further Recommended Reading:


To search the Prices4Antiques antiques reference database for valuation information on hundreds of thousands of antiques and fine art visit our homepage www.prices4antiques.com


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