Ephemera

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American pulp Halloween pumpkin Choir Boy Jack-O-Lantern, with original paper inserts

American pulp Halloween pumpkin Choir Boy Jack-O-Lantern, with original paper inserts

Collectors covet eerie ephemera and delight in a variety of Halloween paper products from the turn of the century and later.

Halloween Lanterns and Shades

Lanterns are some of the earliest of the manufactured Halloween decorations, with U.S. made parade lanterns appearing on the scene between1900-1910.  They were made of molded cardboard, composition, tin, or heavy, flat cardboard.  Some were equipped with wire hangers, some were made to sit on a flat surface, and others were hinged in the middle with a stick on a base for carrying.  Lanterns could be one sided, two-sided with identical sides, or two sided with varying sides, (for example a smiling Jack-o-Lantern and a leering JOL), pyramid shape, or four-sided.  Also popular were collapsible lanterns featuring elaborate cut-out scary scenes, paper inserts with as many as twelve sides.  Lanterns usually came with inserts of light-weight cardboard or crepe paper thru which the candle light glowed in an eerie manner.  Pieces with the inserts intact are a little harder to find.  Some lanterns were simply one sheet of cardboard with an attached candle-holder and cardboard stand.

Early lanterns often came with an integral metal candle holder, but when the dangers of candles & cardboard became obvious, manufacturers began producing shades that were designed to hang over light bulbs.  Lanterns and shades were manufactured in Germany and in the U.S, by Dolly Toy Company, Beistle, Gibson Art, F.N. Burt, and others.

Die-cut Halloween decorations including jointed skeletons and pumpkin characters

Die-cut Halloween decorations including jointed skeletons and pumpkin characters

Halloween Cardboard Diecuts

Diecuts are cardboard decorations that are flat or heavily embossed that were made to hang on a wall or dangle from a string. Particularly popular were the jointed versions, frequently in the guise of skeletons, black cats, and in the late 1920s and early ‘30s creepy beings such as Skairo and Lightning Wumpus, the Hallowe’en Devil.

As with most Halloween decor, the earliest diecuts are the spookiest and most interesting. Malevolent devils, snarling cats and leering Jack-o-lanterns gradually evolved into cutesy critters as Halloween became the child-centered holiday we observe today. Like lanterns and shades, diecuts were made in both the U.S. and Germany.  The German versions were often heavily embossed and almost 3-dimensional with handpainted highlights that made them delightfully creepy.

More Collectible Halloween Ephemera

Halloween collectors like just about anything connected with October 31st, and a complete collection will include an almost unlimited variety of paper products.  The Dennison Manufacturing Company of Framingham, Massachusetts released Halloween themed products year after year, and is still in business today.  Dennison products included crepe paper aprons, table covers, and streamers, and also invitations, gummed seals (lick & stick), nut cups and garland and other creepy collectibles.

-by p4A Contributing Editor Susan Cramer

Reference & Further Recommended Reading:


To search the Prices4Antiques antiques reference database for valuation information on hundreds of thousands of antiques and fine art visit our homepage www.prices4antiques.com


A French travel poster for the resort town of Font-Romeu

A French travel poster for the resort town of Font-Romeu

French Poster Art Travels to New Heights

Few collectibles have aged as well as French poster art from early in the last century. After more than a hundred years, the seductive lure of these brightly colored and beautifully drawn posters attract a wide range of collectors including those who can probably afford original art. Vintage posters are a popular segment of the art print collectible area, and of all the poster categories, French travel posters are some of the most eagerly sought.

Signed French Travel Posters
Collectors love posters created by familiar artists of the early 1900s such as Georges Dorival, Constant Duval, Julien Lacaze. Later posters that date from the Art Deco Era featuring the likes of A.M. Cassandre and Roger Broders are also popular. While as a general rule, posters by these identifiable and prolific artists tend to bring the highest sums, dealers caution collectors against buying solely for name, as some of the most highly prized posters are the most beautiful, and were “one-offs” produced by artists whose names rarely appeared again. Collectors should consider each poster on its own merits, and buy for content and condition.

Values of French Travel Posters
Values for travel posters have been rising steadily since the first U.S. poster auction in 1979 at Swann Galleries. At an August 2011 sale of travel and vintage posters at Christie’s, 298 lots sold for a total of $1.27 million.

According to poster expert and dealer, Jack Rennert, the value of a poster is based upon four criteria: artist, subject, rarity and condition. Due to age, small tears and pin holes are common and acceptable, but do bring down the value and collectors prefer examples with the vivid colors of the originals.

Posters set in the south of France fetch premium prices. Collectors love Monte Carlo, Monaco and Nice, especially views with beaches and palm trees. If there are people on the beach, even better, and if the sunbathers include beautiful women, better still. If the poster is of a popular destination and subject with only a few known copies, the price can approach that of original artwork.

Brief History of French Travel Posters
These posters were produced as advertising, not art, and as such, were manufactured with the idea of a limited existence. This limited supply creates high demand, although the posters were popular inexpensive art almost immediately as soon as the multi-color stone lithography process (pioneered by Jean Cheret at the end of the 19th Century) came into widespread use. The popular posters were produced in vibrant colors to advertise everything from cigarettes to champagne, and by the 1890s, railways were plastering their stations throughout France with oversized posters of beautiful people in exotic destinations. Although people collected them almost from the start, two world wars have taken their toll on extant examples.

-by p4A Contributing Editor Susan Cramer.

1964 New York Worlds Fair Farris Wheel

Postcard: 1964 New York Worlds Fair Farris Wheel, U.S. Royal Giant Tire

Souvenirs from the N.Y. Fair in Flushing Meadows Include Everything from Unispheres to Uniforms

The 1964-1965 New York World’s Fair was not an economic success, but 44 years later, there’s a strong market for Sinclair Dinosaurs, maps, coins, and more!

In the days before the internet, or even telephones, World’s Fairs and Expositions were a way to spread the word about industrial, cultural, and artistic advances.  The very first World’s Fair was at  the Crystal Palace in London in 1851, and after that, the World Exposition became a craze all over Europe.  For over 150 years, citizens of the world have been introduced to some mankind’s greatest technological achievements in the exhibit halls of World’s Fairs.

A Brief History of the 1964-1965 New York World’s Fair

The year 1964 was chosen to celebrate the 300th anniversary of the founding of the colony of New York by the British.  Robert Moses, chairman of the Triborough Bridge and Transit Authority of  NY was appointed president of the Fair Board.  Moses had been active in promoting the Flushing Meadows site for the 1939-1940 World’s Fair, in the hopes that the profits generated would be sufficient to redevelop the site into a city park, but in this, he was disappointed.  The 1964-65 fair provided a second chance.

The Unisphere & Peace through Understanding

The Unisphere, a huge metal globe was the signature and central structure of the fair. The open grid-work globe sat in the center of a vast plaza, surrounded by a reflecting pool and  fountains with  the avenues of the fair radiating off the plaza.  Constructed by U.S. Steel of 250 tons of stainless steel, the 12 story, 120’ diameter globe perched gracefully on a slender three pronged base. The continents were overlaid on the grid, and world capitals were indicated by pinpoint lights that came on at night.  Encircled by three orbiting  bands commemorating international achievements in space travel, the Unisphere was meant to portray the Fair’s theme, “Peace through Understanding.”

Sinclair Dinosaurs, U.S. Rubber Ferris Wheel & We Try Harder

Due to a general lack of participation by most major European nations, the 1964-65 World’s Fair was more than any previous fair, a concentrated exhibition of commercial and industrial technology.  The largest exhibits were sponsored by Ford, General Motors, and IBM.  Sinclair Oil displayed animatronic dinosaurs,  US Rubber featured its 80’ tall Ferris wheel in the shape of a giant tire, and number two car rental giant, Avis introduced its ”We try Harder” campaign.  Sponsored by Pepsi, and designed by  Disney, the  popular It’s a Small World exhibit featured 289 animatronic dolls representing the children of the world singing the Small World theme song in five languages.

1964 New York World's Fair Unisphere and space rocket mechanical coin bank

1964 New York World's Fair Unisphere and space rocket mechanical coin bank

1964 New York World's Fair collectible souvenir plate

1964 New York World's Fair collectible souvenir plate

Collectible New York World’s Fair Souvenirs

Since the 1964-64 World’s Fair was a tourist destination, memorabilia and collectibles number into the hundreds of items.  All the typical  gift shop souvenirs exist: spoons, glasses, mugs, plates, pennants, postcards, salt and pepper shakers, handkerchiefs, scarves, playing cards, ashtrays, pins, thimbles, dolls, coins, maps, guidebooks, snow globes, serving trays, coin banks, rain bonnets, and more.

Collectible NY 1964-65 World’s Fair Memorabilia

Some of the highest prices for the fair’s collectibles are for items that were made not for sale as souvenirs, but for use during the fair. These are objects produced for the day-to-day operations of the fair, and include uniforms, employee ID cards, admission tickets, and posters.

-by p4A contributing editor Susan Cramer.

Reference & Further Recommended Reading:


To search the Prices4Antiques antiques reference database for valuation information on hundreds of thousands of antiques and fine art visit our homepage www.prices4antiques.com


1950s Coca-Cola Santa Claus with dog cardboard cutout store display

1950s Coca-Cola Santa Claus with dog cardboard cutout store display

Coca-Cola is one of the most widely advertised products in the history of American manufacturing, and if the possibilities for collectors are almost unlimited, so is the potential for misleading the novice with fakes and reproductions.

Pharmacist J.S. Pemberton developed the formula for Coca-Cola in 1886, and for the past 122 years, Coca-Cola advertising products have hit the streets in record numbers and quantities.  The Coca-Cola Company has mounted some of the most successful advertising campaigns not only in this country, but all over the globe.

Santa Claus by Coke

From the very start, the company projected an image of wholesomeness and patriotism.  Early print advertisements featured beautiful women, adorable children, and winsome teenagers; some simply enjoyed a refreshing glassful, and for others it was a much needed thirst quencher and energizer during wholesome American activities including motoring, swimming, golfing, diving, and skating.   Coca-Cola advertising was so ubiquitous, that Santa Claus, as we know him today, is the result of a 1931 Coke campaign designed by illustrator Haddon Sunblom, who modeled the “Jolly Old Elf” after himself.  From 1931 to 1966, Sunblom’s Santa was the star of Coca-Colas seasonal advertising, and to this day informs the American ideal of Santa Claus.

Coca-Cola Collectibles by the Score

Coca-Cola advertising items and memorabilia include: combs, mirrors, knives, forks, calendars, thermometers, plates, checker sets, stuffed animals,  T-shirts, caps, Olympic pins, cutlery sets, night lights,  door knobs, syrup cans, dolls, fans, ice picks, puzzles, thermometers, signs, mugs, yo-yos, toy trucks, toy planes, bicycle lights, cookie jars, napkin holders, sheet music, clocks, cups, glasses, playing cards, coolers, die-cuts, figurines, bottle openers, medallions, pin backs, radios, scarves, ashtrays, bats, bingo cards, rulers,  key chains, salt & peppers, blotters, toy telescopes, carriers, syrup jugs, jump ropes, menus & menu boards, carriers, vending machines, signs, and trays.

Coca-Cola 1903 Hilda Clark serving tray

Coca-Cola 1903 Hilda Clark serving tray

Authentic Coke Trays

The trays are the biggest single category, with at least 47 versions manufactured over the years.  The oldest trays are not surprisingly, the most valuable, with the 1903 serving tray with an image of Hilda Clark (pictured) being one of the most valuable. While it’s not difficult to find most of the trays, people used them and wet glasses of refreshing Coke created lots of damage and rust.  Mint condition trays are unusual, and command high prices.  Prices for the common trays from the 1950’s and later have fallen substantially.

Reproduction Coke Trays

During the 1970’s when Americana was a popular decorating motif, Coca-Cola issued reproductions of some of their most popular early trays.  These reproductions will be marked as such on the backs.  In the 1980’s, they did the same, in honor of their 100th anniversary.  While these are authentic, Coca-Cola issued trays, they are considerably less valuable than their antique and vintage counterparts.

-by p4A contributing editor Susan Cramer.

Reference & Further Recommended Reading:


To search the Prices4Antiques antiques reference database for valuation information on hundreds of thousands of antiques and fine art visit our homepage www.prices4antiques.com


1933 poster by Weimer Pursell for the Chicago World's Fair, depicting the Hall of Science

1933 poster by Weimer Pursell for the Chicago World's Fair, depicting the Hall of Science

A Century of Progress Souvenirs and Collectibles

The 1933 World’s Fair in Chicago celebrated science, made a profit, and set the style for the 1939 Fair in New York.  This fair, themed “A Century of Progress” offers the collector a wealth of souvenirs and collectibles.

Despite the great Depression, civic leaders in Chicago, Illinois were busy planning for Chicago’s second world’s fair in 1933 to celebrate the city’s centennial.   Though commemorating a historical event, the fair committee decided against the sort of historical theme that had proven to be unpopular and unsuccessful in the 1876 Philadelphia Centennial Exhibition.  They decided instead to focus on the progress that had been made in science and industry and “A Century of Progress” became the theme of the fair.

Chicago’s Century of Progress World’s Fair Celebrates Science
Chicago’s 1933-34 exposition focused on developments and innovations in science, and to that end, the fair committee enlisted the support of The National Research Council, an organization of scientists that had been formed in 1916 to advise on war technology.  For the first time, lighting played a major artistic role as companies like Westinghouse and General Electric vied to outdo each other in creating modern and exciting artistic effects with the latest lighting technology and materials.

The Art Deco World’s Fair in Chicago
As the country was mired in the Great Depression, early Art Deco was the logical economic choice for the overall architectural style of the fair.  The concrete structures were cheap to build, and eye catching effects could be created inexpensively through the use of bold color and innovative lighting.  Like the White City of the Columbia Exposition of 1893, the buildings were unified through the use of the limited color palette used throughout that was developed by Joseph Urban, a well-known designer of stage sets.

Master Marble Co., 1933 Worlds Fair, Chicago box set

Master Marble Co., 1933 Worlds Fair, Chicago box set

Chicago Fair Exhibits and Entertainments
In keeping with the Century of Progress theme, the Hall of Science was the largest and most important exhibit building of the fair.  Applied science exhibits were presented in the manufacturers’ hall, where visitors saw an early form of television and a working auto assembly line.  As always, dinosaurs were well represented, as the public still found them fascinating.  It wasn’t all prehistoric beasts and technology, however.  Sally Rand, a famous vaudevillian, danced naked with two large ostrich fans in a Parisian styled dance hall on the Midway.  At its close in 1934, the fair had played host to 48 million visitors, and made a profit of $160,000.

1933 Chicago World’s Fair Collectibles
Unlike the New York Fairs, with the Unisphere and the Trylon & Perisphere, this one had no single graphic identity that symbolized the fair, although a planet with a swooshing tail does appear on many collectibles.  Prices for souvenirs from this fair are lower than the more well known Columbia Exposition and the two New York fairs.  A base metal trinket box with embossed renderings of various fair buildings and exhibits was purchased on eBay for $16.  Postcards bring $1-2, and an enamel compact will fetch $50-60.  The highest priced fair collectibles are items having to do with day to day operations, such as season ticket holder IDs, employee IDs and similar items.

Reference: Robert Rydell & John Findling; Fair America: World’s Fairs in the United States.

-Article by p4A contributing editor Susan Cramer.

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