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A scrimshaw whalebone crimper [pie crimper or jagging wheel] with whale ivory double wheelsA jagging wheel, also sometimes known as a pie crimp or a pie crimper, is a fluted or crenellated wheel used to trim and/or to seal the edges of pastry crusts. They were also some of the most common items produced from ivory by whalers who practiced the arts of ivory carving and scrimshaw in their spare time on long sea voyages. (Iron and wooden jagging wheels also occasionally appear on the market, but the vast majority of them are ivory or bone.) More elaborate examples have pierced carvings throughout the handle and the wheel and it is not at all uncommon for the design to incorporate a fork either on the handle or diverging from the handle above the wheel for pricking vents in pastry.

 

Scrimshaw refers to decA scrimshaw whale's tooth depicting <i>A Cruizer</i> and <i>A Hard Gale</i>, attributed to Edward Burdett (1805 to 1833)orative engraving done on pieces of bone or ivory. The term is occasionally expanded to include some sculptures or figurines made from the same materials, although this is more accurately ivory or bone carving. One who practices the art of scrimshaw is known as a scrimshander. An ancient art, scrimshaw grew considerably in popularity during the mid-18th century, the boom years of the whaling industry, as it was chiefly a hobby during long voyages for sailors on whaling ships who had ready access to the bones and teeth of sperm whales as byproducts of whaling. (Scrimshaw work is also often seen on baleen, a keratin substance, that forms the plates in the mouths of a suborder of whales that includes humpback, grey, right and blue whales, as well as on the tusks of walruses.) Teeth were often engraved “as is” with everything from romantic sentiments to whaling scenes to political statements, while baleen was almost plastic-like in its versatile nature and was occasionally used for engraved busks (stay-like supports in women’s corsets). Walrus tusks were engraved with the same scenes, but were also occasionally drilled with holes to serve as highly decorated cribbage boards. The most desirable pieces have, of course, the most intricate carvings, but examples are also highly prized for unusual subject matter or identifying inscriptions (ship or ship’s officer names, dates, intended recipient, etc.).

While scrimshaw is still practiced today, laws like the Endangered Species Act and other international laws that protect whales (and elephants, whose tusks were also often carved and are still sought by poachers today for their value) have changed the availability of ivory. Depending on the age of the piece, these same laws may make certain requirements or restrictions when it comes to buying and selling ivory as well.

A highly important Berks County, Pennsylvania, painted schrank dated 1775, inscribed "17 Philip Detuk 75".Schrank is a German word that is actually a diminutive form or abbreviation of Kleiderschrank. (Kleider means “clothes” and schrank means “cabinet,” so literally a clothes cabinet.) These massive pieces of furniture (schrunken is the plural), like the one pictured here, are essentially wardrobes that were made in America in Germanic settlements in Pennsylvania and then later in the Midwest and Plains states. It is speculated that they were often “coming of age” pieces or wedding gifts to couples setting up housekeeping together, because they frequently appear with names or initials and are often dated. Pennsylvania Germans typically made them in cherry and walnut often with very “architectural,” dramatic panels and/or decorated them with light wood and sulphur inlay. When “plainer” woods such as pine and poplar were used, they were often painted with vibrant colors. The example here has all the classic elements of a schrank: heavily paneled; elaborate cornice; paint decoration in red, yellow and green (a popular color scheme in Germanic communities); and a name and date.

Carte de Visite [photograph] of “Weston the Walker” (Edward Payson Weston). Known primarily for his long distance walking.As the year draws to a close, various publications begin their “year in review” analysis, naming the most important and influential people of the year. With my work, I “meet” important and influential people all year too. It’s just that most of them are dead and many of them are forgotten, but all of them are still fascinating!

Take, for example, my recent acquaintance with Edward Payson Weston (1839 to 1929). Weston (not to be confused with Edward Weston the photographer who shot some “racy” nude images that probably would have stopped Edward Payson Weston in his tracks) was a “notable pedestrian” (a phrase I think might be on my short list for my own epitaph), who made (pun alert!) incredible strides in promoting walking for exercise. Weston specialized in long distance walking, setting records for trekking hundreds of miles between cities. At 21, he walked from Boston to Washington (in February…) in 10 days, 10 hours, and his last great walk was at 73 when, in just 51 days, he walked from New York to Minneapolis. Over the years, he was assaulted by bettors, involved in a coca leaf “doping” scandal, and walked backward around St. Louis. In an incident that can only be due to a dark sense of humor on the part of the universe, Weston was struck as a pedestrian by a New York City cab at the age of 88 and never walked again before his death at the age of 90. You can read more about him in the 2012 biography, A Man in a Hurry: The Extraordinary Life and Times of Edward Payson Weston.

A Chinese Export porcelain blue and white monteith, circa 1690A monteith is a large center bowl (usually silver, occasionally porcelain, rarely glass) designed to be filled with ice and with a scalloped, shaped rim to allow a set of wine glasses to be suspended around the rim by the foot of the glass, so the bowl of the glass can be chilled. While extant silver monteiths can be dated to as early as 1666, the more “modern” version of the form, which is essentially a punch bowl with a removable rim, saw the height of its popularity from the 1680s to the 1720s. Obviously, the silver forms were often reworked as they lost popularity and the porcelain versions would of course have been quite vulnerable to damage, so as a result, the form is relatively rare.

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